The disorienting, weightless sensations of gradually climbing down (searching lower), rising (searching up) and travelling “weightlessly” through three-dimensional space were real enough to provide me a little the queasies. I’ll take dragon rides over scientific simulations any day, thanks to you.
“Invasion!” would be a slickly animation company Malaysia sci-fi quickie in which a sly rabbit outsmarts a set of new aliens on the frozen lakebed. The simulation had the enjoyable side-effect of turning me right into a rabbit such as the hero – searching lower, I saw my bunny belly and feet. However, as i could to research the 360-degree forest landscape I had been pinned to 1 place, just an observer towards the goings-on. Bad too it would’ve been nice to go into a couple of hops of my very own.
“Invasion!” was directed by DreamWorks’ Eric Darnell, director from the Madagascar films, Antz and a number of others. The excellence between live-action and animation company directors has crumbled recently as have adopted projects within the other’s medium, and also the same phenomenon appears to become happening between individuals disciplines and VR. Animation company directors like Darnell certainly possess a jump.
Tyler Hurd’s ‘Old Friend.’
Old Friend is proof the 1960s continue to be around. To quote creator Tyler Hurd’s website, the knowledge is definitely an “animation company Malaysia psychedelic dance party.” The knowledge put me in the center of a diamond ring of goggle-eyed, bare-assed little men whose willowy braches advised me of individuals air-inflated, wiggly humanoid figures one sees before vehicle washes. In the center from the circle a crazed searching drum major struts about, singing Future Islands’ title song. Colors shift, backgrounds mutate, the drum major reappears in gigantic scale behind the dancers…the stills on Hurd’s website, /projects/oldfriend/ provide a far greater taste from the experience than I’m able to describe.
Elsewhere within the building was the “TFI Interactive & Playground” and also the project that first lured me towards the Tribeca event, Patrick Osborne’s Gem, the most recent 360 production in Google’s Spotlight Tales series.